From the festival
Announcements, interviews and stories from our team and community writers.
How Multi-Category Voting Works When a Film Is Up for Several Awards
A single film can be nominated as a film, and its director and lead actor nominated separately - here's how that's tracked.
Aug 23, 2026 · AdminNational vs. International: How the Two Main Sections Actually Differ
It's not a hierarchy - it's two different pathways with two different structures.
Aug 22, 2026 · AdminWhat "Made by Kids" Actually Judges - and What It Deliberately Doesn't
This section scores creativity and voice first. Technical polish is explicitly secondary.
Aug 21, 2026 · AdminInside "World Focus": How a Country Gets Chosen Each Year
It's not about which country has the biggest industry - it's about which history is worth an audience's time.
Aug 20, 2026 · AdminWhat a Festival Programmer Actually Does All Year
Festival week is the visible ten percent of a programmer's job.
Aug 19, 2026 · AdminA Producer's View: What Changes When Your Film Is "for Kids"
Budgets, insurance, schedules - almost everything shifts when your audience and your cast are both young.
Aug 18, 2026 · AdminWhat Makes a Kids'-Content Podcast Actually Work
Attention is the whole game, and it's harder to hold with no picture at all.
Aug 17, 2026 · AdminYouTube for Young Filmmakers: Building an Audience Without Losing the Film Festival Path
The two aren't in competition - they're different distribution answering different questions.
Aug 16, 2026 · AdminHow Broadcasters Actually Discover Festival Films
A programming slot rarely closes a deal by itself - but it's almost always where the conversation starts.
Aug 15, 2026 · AdminThe Business Case for Free Submission Festivals
Why some of the most respected children's festivals still charge nothing to enter.
Aug 14, 2026 · Admin