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From the festival

Announcements, interviews and stories from our team and community writers.

A few planning choices let blind, low-vision, deaf and hard-of-hearing audiences enjoy your film.

The biggest audience most children's films will ever have isn't the festival crowd - it's a classroom.

Age ratings are a starting point, not the whole answer.

Age labels are a starting point; these four questions help you pick a film that fits the actual child on your couch.

The fastest way to teach a kid to watch critically is to have them make something first.

Folding Indigenous work into a general program tends to flatten exactly what makes it distinct.

Open-ended prompts that turn the ride home into a real conversation about what your child saw and felt.

A short film can anchor a whole lesson in language arts, social studies or art, even when the schedule is tight.

Three things that show up again and again in strong Indigenous youth submissions.

The technique matters less than most people assume. The timing matters more.

Every shot is a decision. Here is how to help children see the choices behind what is on screen.

The word "educational" has quietly become a warning label. Here's how the good ones avoid it.